Piazza Vittorio is the biggest square in Rome. Both the square and the adjacent districts of the Esquiline stand out for the multiethnic variety of their inhabitants. Here, in fact, we find a range of ethnic groups from nearby and far away: Romans, Asians, North Africans and Indians who make the square and neighborhood a lively place but at the same time one that is not easy to manage. Precisely because of its unique and colorful nature, many artists and other figures with ties to the world of cinema, like Matteo Garrone and Willem Dafoe, have chosen to make it their home. Among them is the great director Abel Ferrara, who has decided to portray this world from his own independent and poetic point of view, putting himself physically on the line in the production of the film. Out of this has come a surreal and neorealist picture of a day in the square’s life, with interviews with illegal and legal immigrants, tramps, artists, proprietors of businesses and politicians who give their personal accounts of the place. It is the portrait not just of a square, but of an Italy that is changing and that is trying at all costs to go down the road of integration, often underestimating the side effects.
2023-06-10 13:32:25，最后更新于 1年前
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倒序电影《维托里奥广场》的剧情详细介绍
◎影片名称：维托里奥广场
◎影片类型：纪录
◎豆瓣链接：27146777
◎IMDb链接：tt7380726
◎影片时长：82(威尼斯电影节) 分钟
◎影片导演：阿贝尔·费拉拉
◎影片主演：威廉·达福
◎上映日期：2017-09(威尼斯电影节)
◎影片地区：意大利
◎影片语言：意大利语
◎更新时间：2023-06-10 13:32:25
◎影片剧情：
Piazza Vittorio is the biggest square in Rome. Both the square and the adjacent districts of the Esquiline stand out for the multiethnic variety of their inhabitants. Here, in fact, we find a range of ethnic groups from nearby and far away: Romans, Asians, North Africans and Indians who make the square and neighborhood a lively place but at the same time one that is not easy to manage. Precisely because of its unique and colorful nature, many artists and other figures with ties to the world of cinema, like Matteo Garrone and Willem Dafoe, have chosen to make it their home. Among them is the great director Abel Ferrara, who has decided to portray this world from his own independent and poetic point of view, putting himself physically on the line in the production of the film. Out of this has come a surreal and neorealist picture of a day in the square’s life, with interviews with illegal and legal immigrants, tramps, artists, proprietors of businesses and politicians who give their personal accounts of the place. It is the portrait not just of a square, but of an Italy that is changing and that is trying at all costs to go down the road of integration, often underestimating the side effects.
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